Explore how the setting in DNA turns ordinary spaces into tense, dangerous zones and how place reflects guilt, loyalty, and control.
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The geographical setting of the play is vague, with little mention of details which might specify a location. The characters' dialogue is clearly British, using words such as "postman", "head" for headteacher, "motorway" and "jumper", as well as making reference to Asda
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The drama takes place in a self-contained world with very little reference to specifics of time or place. This technique creates the sense that the play deals with timeless issues
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Scenes between Leah and Phil take place in A Field. The featureless nature of these settings emphasises the universality of the play's themes
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Each Act opens with a scene between Jan and Mark, set in A Street. Their dialogue in these scenes performs the function of a chorus, setting out essential information for the audience
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The setting of the wood is most appropriate to the group's plotting, especially since it offers protection from adult eyes
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Brian perceives the trees as onlookers who are aware of the crushing guilt he feels. They might also represent threats to his safety: it was in the woods where Adam was left for dead and where Phil threatens to subject Brian to the same treatment
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Phil plans the group's laying of a false trail in such detail that it almost seems as if he has considered before how he would carry out a crime. The military precision of the operation also emphasises Phil's leadership qualities
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Leah's main focus is on getting "away". She tells Phil that the universe is a much bigger place than where they are located. Her words imply that she wishes to escape their situation as much as she wishes to escape the place: "It's a big world, Phil, a lot bigger than you, it's a lot bigger than you and me, a lot bigger than all this, these people, sitting here, a lot bigger, a lot lot bigger"
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For the first time, Leah is not speaking, nor about to speak. The "complete silence" signals a change in the relationship between the pair
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Some adults, most notably the police, are represented as authority figures who can affect the characters' futures. For the most part, however, adults are presented as easily manipulated, distant figures
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