Explore how Keatley’s language choices reveal tension, humour and silence in My Mother Said I Never Should, from broken sentences to playful rhymes and abrupt changes of tone.
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The play spans the lives of four women from 1940, in Act One, Scene Two, to 1987, in Act Three, Scene Seven (the final scene returns to 1923)
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The scenes take place in Manchester and its environs, including Cheadle Hulme and Oldham, and in London
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The women are all girls together in the Wasteground, the setting for the first scene
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The women stand out more clearly as individuals when they do not play the role of mother or of daughter
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Margaret shelters under the piano with her doll; later Jackie plays at hiding under the piano to get a feel for her mother's experience
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December in the play is associated with upheaval
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Act Two, at the centre of the play, sees all characters together as the younger generations help to clear out Doris's house after Jack's death. This is the only part of the play in which the audience sees how the characters interact when they are all together and the mother-daughter relationships are intact
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Most of the settings are domestic, located in gardens or houses; Margaret's office is the only workplace to be portrayed on stage
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Act Three is the exception to the movement between different times. In Act Three, scenes proceed chronologically, with the exception of the Wasteground scene and the final scene to the day of Doris's engagement to Jack
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Doris is left to the whims of her husband's will when he leaves the house to their granddaughter. The event demonstrates the helplessness of a woman who had been successful in her career before agreeing to marry
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