Explore Catholic creative heritage, from church design and sacred objects to music and symbolism. See how art supports worship, teaching, and identity.
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You can find more about this topic by visiting BBC Bitesize - The Catholic Church
All such great works were translated from paper (or parchment) designs into what we might now call 'concrete' reality thanks to the work of master masons and their assistants, and a host of other craftsmen, and using nothing but human and animal muscle-power to assemble precise yet bulky components at great heights. Not infrequently, such people worked and died without seeing their project through to completion. As exercises in faith and devotion and perseverance, this alone must count for something!
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The 'scriptorium' was the place set aside for writing
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Gregory (whence the label 'Gregorian chant') was active around AD 600, though subsequent scholarship suggests the style was not in fact codified directly under him nor even during his lifetime. Francis and Benedict were each founders of monastic orders, but St Cecilia (patroness of Music though she was and is), by virtue of having been female, could unfortunately never have been a Pope
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The chapel's name derives from Pope Sixtus who commissioned the work, most famous among which is Michaelangelo's 'Last Judgment', though some years passed before the whole project was complete. The chapel remains significant in the Church's life since this is where the cardinals go into conclave to elect each new Pope
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Bach is famous (among much else) for his towering B Minor Mass, two surviving settings of the Passion story (in the St Mark and St John versions) and enough church cantatas to provide at least one each Sunday over the whole liturgical year. His work is often texturally and symbolically rich (he was, after all, writing in the Baroque period and style) ... but he wasn't a Catholic (nor indeed was Handel, who wrote 'The Messiah' ~ the world's first oratorio, which your present writer fairly recently had the experience of directing in a major Catholic church in Oxford)!
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Colour photography does not range back reliably far enough for even this theory to be proved. It may seem surprising that anything so emblematic can remain inscrutable to modern science; but there it stands!
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There is quite a history to this, which you might be interested to investigate (carefully) since this was such a culturally influential measure in remarkably volatile times. The Hays Code's list of 'Dont's or Be Careful's' may seem almost comically quaint in itself, getting on for a century later; but one is bound to ask, from the point of view of traditionalists concerned with family values: at what such point might the rot set in? Breen and the PCA (the follow-up administrators; Answer 3) certainly had a tough time of it, but they might be shuddering in their beyond to see and hear what comes through people's screens in these early years of the 21st century
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The Kölner Dom is, by any reckoning, a most remarkable architectural achievement
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Probably not very representative of more than a 'splinter' of the Catholic community, but this show does seem to have a strong following!
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There is nothing else quite like the extraordinary visions of Bosch, which in their way reference Mediaeval ideas about the meaning and nature of life and divine judgment. Piranesi (Ans.2) was fairly obviously an Italian rather than from the Low Countries, but who specialised in dystopias of his own, usually involving fathomless prisons. Escher (Ans.4) was a much later Dutchman whose experiments with tricks of perspective were perhaps equally graphically astonishing, but in different (and generally less distressing) ways
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