Singing God’s Praises - how Christians worship.
Designed for students in India, this 10-question quiz explores how Christians praise God through hymns, choral music, worship traditions and contemporary songs.
Here's another Quiz to see how aware you are of the intersection between music and Christianity and its worship, across quite a wide variety of styles and occasions.
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This beautiful aria opens the Easter section of the work, Part 3. Your author has not infrequently been invited to play it as an instrumental at funerals ~ expressing, as it does, that firm but gentle hope in the afterlife.
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Even if you know little of this repertoire nor of church Latin, the echo of 'dismissal' in the second evening canticle might have struck a faint mental chord as matching the mood of the time of day. This text is alternatively known as the Song of Simeon, after the old man in the Temple who was happy to die after having lived long enough to see and recognise the infant Jesus.
Answers 1 and 3 meanwhile contain the canticles for Mattins and other services. |
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The top-scoring letters Q and Z (10 points each) do not appear at all, neither is there an X (8) ... but the carol is about Jesus of course, and J is worth 8 points in Scrabble!
All the other details offered here are verifiably true. |
There are other generically similar festivals elsewhere in the UK now, but the original was in the Heart of England.
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Answer 1 is certainly not true; Answer 2 need not necessarily be (the hymn is rarely sung any higher than in G major, so that the repeated high D's do not overstrain the singers; the Franck piece is usually sung by sopranos, as published, in A major, though there may be lower versions for deeper voices); Answer 4 is at least unlikely.
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The Armed Man (based musically around the theme from a mediaeval folksong) was commissioned from Jenkins by the Royal Armouries Museum. Answer 1 is the work by Benjamin Britten which formed a major element in the opening of Coventry's post-WW2 cathedral; Answer 2 is a work by Johannes Brahms, while the Solemn Vespers are by Mozart.
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'Georgian' is wrong; the correct label is 'Gregorian' (after Pope Gregory, though with some apparent confusion as to which one of that name).
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It comes as a surprise to many of us from more openly musical traditions that this move was only voted-in so very recently.
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The words ROCK and ROLL were of course printed large and in appropriately stylish lettering. The scriptural references are to Jesus as the rock (as in His parable of not building the house of one's life upon sand), and the passage in Revelation where there is a 'roll' (i.e. a call-over) of the names of the blessed ones at the Second Coming.
The other offered Answers, dare we claim so, are artfully fabricated rather than genuine; though No.1 has a strongly Psalmy feel to it. |
Try pasting any of the upper three Answers into a browser, and you will be deluged with YouTube versions and excerpts from these. The earliest and probably best-known remains Joseph (and his amazing Technicolor Dreamcoat) by the then-young Tim Rice and Andrew Lloyd Webber (now Sir Tim and Lord Andrew, respectively!).
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