If you have enjoyed the Ten Pieces at BBC Bitesize, you may also enjoy our series of KS2 Music quizzes which complement them. We have a quiz for every featured composer and another for each of the featured pieces. This one is all about Stravinsky's The Firebird Suite Finale.
The Firebird was Stravinsky's first major success. It is a ballet based on a Russian fairy tale and it was first performed in Paris in 1910. At once it became popular with audiences and critics alike and is still loved by listeners and audiences to this day. Its finale to it is a wonderfully colourful orchestral piece of music!
Are you a fan of Igor Stravinsky or of ballet as a whole? If you like both then you are sure to be familiar with The Firebird Suite. Let's find out just how much you already know about it!
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You can find more about this topic by visiting BBC - KS2: Igor Stravinsky - The Firebird — suite (1911) (Finale)
Ballet is the creation and performance of an 'abstract spectacle' in which groups and individual dancers make moving shapes to the sound of music. Since long before the age of screen-based graphics (film, computers etc) this has been one of the creative glories of human culture
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His troupe was called the Ballets Russes (pronounced 'ballay-rooss')
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Listen carefully and all should be clear. The opening tune finds the horn sounding far mellower and calmer than it did in our Mozart concerto movement!
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'Pedal' alludes originally to organists who can park their foot on a single pedal key and hold that note (usually in the bass) for as long as they want, while other, upper parts in their music may be moving around. (Not the same thing as the 'sustain' pedal on a piano, which holds on any notes played ~ until they either die of their own accord, or the pedal is released.) Stravinsky does a similar trick with the long low drone during the first minute or so while the music is 'waking up'; and then the trumpets cling onto a note ahead of the finish while everyone else gets there, even creating discords during the struggle
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The terms may have baffled you ~ but the correct answer is related to our word 'glide', perhaps unsurprisingly. When any other instrument tries to create the same effect (e.g. the piano) based on an actual chord, rather than a scale, this in turn is known as arpeggio ('harp-like playing'). The effect has become aural shorthand for someone going into, or perhaps emerging from, a dream in films etc
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Three slow beats (try counting them: a similar pace to a very broad rendering of the British National Anthem). The marking is Lento maestoso which means 'Slow and majestic', so this is a surprisingly appropriate off-the-cuff comparison!
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Many of the others are close alternatives but this is the usual technical term. The violins in particular do it a lot in this piece, both in the first section and suddenly, louder and more insistently, after the change of mood at around 1'40''
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A careful listen should establish this very clearly. There are no guitars in this piece usually, and the percussionists will be too busy with other things to play any castanets (though these are very distinctive ~ the instant sound-clue to Spanish music ~ even their insistent clicking would be drowned by all the other noise)!
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There is also a piano part, though it's not perhaps as obvious or distinctive. Stravinsky was clearly taking no chances!
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Bear in mind that the Russians were hosting these, and Stravinsky was of that nationality by birth (though he later changed citizenship not once, but twice: see our companion quiz on him)
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