 
        Joseph Mallord William Turner was born in Covent Garden, London, in 1775. In 1789, at the age of 14, he entered the Royal Academy of Art and one year later his watercolour painting A View of the Archbishop's Palace, Lambeth was accepted for exhibition.
As a young man Turner travelled Europe and spent some time studying in the Louvre, Paris, before returning to Britain to pursue his career.
Turner was thought of as a controversial man during his life. He had few close friends and never married, although he is thought to have been the father of two daughters born to his lover, Sarah Danby.
[readmore]Turner is considered to be the master of British watercolour landscapes and he is responsible for the popularisation of this genre, giving it equal status to the more widely accepted historical paintings.
Turner died on the 19th of December 1851, aged 76. His last words were "The Sun is God". He is buried in Saint Paul's Cathedral next to one of the founding members of the Royal Academy, Sir Joshua Reynolds.
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 Snow Storm: Hannibal and his Army Crossing the Alps shows the Carthaginian commander having difficulties as he crosses the mountains to invade Rome.  The powers of nature (in the form of a snowstorm) and humanity (tribesmen fighting with Hannibal's rear-guard) are uniting to hinder the army's passage | 
 The painting's official title is Dido building Carthage and it shows the mythological queen directing the city's construction. Turner is said to have believed this work to be his 'chef d'oeuvre', or masterpiece | ||||||||||||||||||||||||
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 Turner visited the region in 1811 and 1813, making drawings and watercolours of the landscape.  This particular piece is an oil painting and is a grand and patriotic representation of the British landscape at the time of the Napoleonic Wars | 
 Painted in 1817, Eruption of Vesuvius shows the disaster of 79 AD which destroyed the Roman city of Pompeii.  The painting is thought to illustrate man's helplessness against the power of nature, or God | ||||||||||||||||||||||||
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 The painting was commissioned 19 years after the battle to hang in the Old Royal Naval College at Greenwich.  The main feature of the work is Lord Nelson's flagship, HMS Victory, displaying the now famous signal, "England expects that every man will do his duty" | 
 Some believe that this painting was also The Fountain of Fallacy exhibited in 1839, descriptions of which match perfectly with The Fountain of Indolence | ||||||||||||||||||||||||
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 Turner witnessed for himself the fire which happened in 1834.  The Palace of Westminster was destroyed and the world heritage site which we recognise today was built in the following decades. Turner painted two pictures of the fire, both entitled The Burning of the Houses of Lords and Commons and both now in the keeping of American museums | 
 The full title of the piece is The Fighting Temeraire tugged to her last berth to be broken up.  It shows a veteran ship of the Battle of Trafalgar being towed along the River Thames to be taken apart for scrap. Turner had lived near to the River Thames for most of his life, and many of his paintings of ships are inspired by scenes he had witnessed | ||||||||||||||||||||||||
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 Although slavery had been abolished throughout the British Empire for some 33 years when the painting was created, Turner believed that it should be outlawed globally.  The picture was exhibited during an anti-slavery conference. It is thought to have been inspired by the true story of a slave ship captain who had ordered 133 slaves to be thrown overboard for the purposes of an insurance claim | 
 In the bottom-right of the painting a small hare cane be seen.  This may be indicative of the inferiority of man's inventions when compared to nature (trains of the time had maximum speeds of about 30mph) or alternatively the hare might be fleeing from this new force of destruction - the train |