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“Sir,” I interrupted him, “you are inexorable for that unfortunate lady: you speak of her with hate — with vindictive antipathy. It is cruel — she cannot help being mad.”
“Jane, my little darling, (so I will call you, for so you are), you don’t know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?”
“I do indeed, sir.”
“Then you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of you flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still: if you raved, my arms should confine you, and not a strait waistcoat — your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you gave me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me. — But why do I follow that train of ideas? I was talking of removing you from Thornfield. All, you know, is prepared for prompt departure: to-morrow you shall go. I only ask you to endure one more night under this roof, Jane; and then, farewell to its miseries and terrors for ever! I have a place to repair to which will be a secure sanctuary from hateful reminiscences, from unwelcome intrusion — even from falsehood and slander.”
“And take Adèle with you, sir,” I interrupted; “she will be a companion for you.”
“What do you mean, Jane? I told you I would send Adèle to school: and what do I want with a child for a companion? and not my own child, — a French dancer’s bastard. Why do you importune me about her? I say, why do you assign Adèle to me for a companion?”
“You spoke of retirement, sir; and retirement and solitude are dull: too dull for you.”
“Solitude! Solitude!” he reiterated, with irritation. “I see I must come to an explanation. I don’t know what sphynx-like expression is forming in your countenance.
You are to share my solitude. Do you understand?”
I shook my head; it required a degree of courage, excited as he was becoming, even to risk that mute sign of dissent. He had been walking fast about the room, and he stopped, as if suddenly rooted to one spot. He looked at me long and hard: I turned my eyes from him, fixed them on the fire, and tried to assume and maintain a quiet, collected aspect.
“Now for the hitch in Jane’s character,” he said at last, speaking more calmly than from his look I had expected him to speak. “The reel of silk has run smoothly enough so far; but I always knew there would come a knot and a puzzle: here it is. Now for vexation, and exasperation, and endless trouble! By God! I long to exert a fraction of Samson’s strength, and break the entanglement like tow!”
He recommenced his walk: but soon again stopped, and this time just before me.
“Jane! will you hear reason?” (he stooped and approached his lips to my ear) “because, if you won’t, I’ll try violence.” His voice was hoarse; his look that of a man who is just about to burst an insufferable bond and plunge headlong into wild licence.
Charlotte Brontë,
Jane Eyre (Oxford University Press, 1975)