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The Merchant of Venice - Character
Test yourself on character in The Merchant of Venice.

The Merchant of Venice - Character

This GCSE English Literature play takes a look at character in The Merchant of Venice by William Shakespeare. William Shakespeare’s play, The Merchant of Venice, brings together the merchant of the title, Antonio, with the Jewish moneylender, Shylock. These two characters resemble one another in many ways, especially in their isolation. Antonio begins the play sad and weary, despite being surrounded by friends, while Shylock’s isolation derives from his status as an outsider in Venetian society and is further increased through his abandonment by his daughter and his servant.

In addition to these two main characters, the play focusses on the courtship and marriage of Bassanio and Portia, the parallel marriage between Nerissa and Graziano and the secret elopement of Jessica and Lorenzo.

These marriages comment upon the financial agreement and conflict at the heart of the play.

Drama allows us to understand a character through their speech, their actions and interactions with other characters. Staging a play also gives scope to the director to characterise through costume and to actors through gesture. Watching a production of a play can be a good way to see how its characters have been interpreted by others. When reading The Merchant of Venice, pay close attention to asides and to private dialogues where you can learn what characters might be thinking and what their motivations are. Do characters present different accounts of their thoughts and decisions to different people? Shylock, for example, guards his thoughts from Antonio and Bassanio, and is more likely to reveal himself to his friend Tubal or to his daughter. She, however, is guarded with him, entrusting her plans and wishes to Lancelot, her servant. Portia’s wide learning and careful logic can only be given public expression when she puts on a disguise. The prevalence of secrecy, hiddenness and disguise in this play encourages us to look below the surface to discover its meaning.

Answer the questions below to see how well you understand the characters in Shakespeare's play.

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1.
How does Lorenzo typically address Jessica?
With irony
With terms of endearment
With sarcasm
He does not speak to her
Lorenzo enjoys talking about love, praising Jessica and playing romantic word games with her. He frequently uses terms of endearment when addressing her. He also dismisses her melancholic mood when it jars with the sweet music he has been praising
2.
What does Portia's trick with the ring achieve?
She makes Bassanio confront his conflicted loyalties
She gains greater respect from Bassanio
She gains the gratitude of Antonio
All of the above
Portia unveils herself as Antonio's saviour, a clever strategist and someone who knows much more than her husband suspects
3.
How does Shylock describe his offer to lend money without charging interest?
As sensible
As extravagant
As genteel
As kind
Shylock describes his offer as "kind" and Antonio agrees that it is "kindness". After Shylock names the forfeit, Antonio says that he will agree to it, saying, "there is much kindness in the Jew". The following surreal conversation and the promise of a pound of flesh hinges on the primary meaning of "kind" as "natural"
4.
Which of the following is true of Nerissa?
She explains to Portia how she might save Antonio
She is typically silent
She is able to lecture Portia gently
She is fearful of Portia
Nerissa is Portia's "waiting woman" and companion. Their relationship includes gentle teasing, wry humour and the occasional lecture from Nerissa
5.
Why does Jessica feel ashamed during her elopement with Lorenzo?
She is abandoning her faith
She is dressed as a boy
She is abandoning her father
She has taken some of her father's riches
Jessica does not want to be seen in her disguise as a boy
6.
Antonio is a respected, successful merchant. Which of the following behaviours is at odds with his gentle — and genteel — demeanour?
His insistence upon loaning money without charging interest
His treatment of Shylock in public
His fondness for his young friend
His refusal to be cheered at the beginning of the play
Shylock reminds Antonio of the many occasions when the merchant spat on him. That such an apparently gentle man would engage in physical marks of disrespect creates the sense that Anti-Semitism is thoroughly entrenched in sixteenth-century Venice. Antonio promises to continue to spit at Shylock in public despite the loan
7.
"If I catch him once upon the hip / I will feed fat the ancient grudge I bear him." How does Shylock's aside in Act One, Scene Three, characterise him?
As thoughtful
As generous
As greedy
As vengeful
Shylock's aside makes his hatred of Antonio and the reason for this hatred clear. The audience becomes aware that he begins his transactions with a desire for revenge against Antonio for his practice of freely lending money
8.
"All debts are cleared between you and I if I might but see you at my death. Notwithstanding, use your pleasure. If your love do not persuade you to come, let not my letter." What does Antonio's letter tell us about his relationship to Bassanio?
He believes that Bassanio will come to see him merely from a sense of duty
He believes he has been abandoned and expects never to see Bassanio again
He believes that Bassanio is emotionally indebted to him
He believes that Bassanio owes him no loyalty
Antonio's understanding of Bassanio's great debt is highlighted by his use of the word "if". If Bassanio comes to say goodbye to him, then will his debt to his dear friend be forgiven
9.
Which one of the following most accurately describes Bassanio?
Loyal
Self-sacrificial
Independently wealthy
Careful
Bassanio is loyal to Antonio. This loyalty causes some difficulty when it conflicts with his loyalty to Portia. The older loyalty to his friend trumps that to his new wife
10.
"Is it not hard, Nerissa, that I cannot choose one nor refuse none?" What does Portia's complaint about her father's provision for his estate demonstrate about her character?
She wishes for control over her own actions but remains obedient
She is grateful that her father planned a clever lottery to decide her future
She wishes for control over her own actions and decides not to follow her father's orders
She wishes never to marry
Portia evaluates each of her suitors and attempts to influence their decisions when faced with the three chests, but is ultimately obedient to her father's instructions
Author:  Sheri Smith

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