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Dramatic Techniques
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Dramatic Techniques

Explore dramatic techniques for GCSE English. Learn how staging, dialogue, and structure shape tension, reveal character, and guide an audience through a scene.

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Fascinating Fact:

Entrances and exits are cues for energy, a late entrance can interupt peace and flip the mood in a second.

In GCSE English, dramatic techniques help playwrights control pace, mood, and meaning. Stage directions, timing, movement, and speech choices guide the audience, reveal character, and build tension scene by scene.

  • Blocking: Planned movement and positioning of actors on stage to show relationships and focus attention.
  • Dramatic irony: When the audience knows something that a character does not, which creates tension or humor.
  • Soliloquy: A speech delivered by a character alone on stage that shares private thoughts with the audience.
What dramatic techniques should I know for GCSE English?

Learn stage directions, blocking, proxemics, dramatic irony, foreshadowing, motifs, symbolism, asides, monologues and soliloquies, plus uses of lighting, sound, and carefully timed entrances.

What is the difference between a monologue and a soliloquy?

A monologue is a long speech to another character or audience. A soliloquy is spoken alone on stage and reveals private thoughts directly to the audience.

How do lighting and sound create mood in a play?

Lighting directs focus and signals time or atmosphere, while sound effects and music build tension, set pace, and underline emotions or key moments.

1 .
Choose the correct dramatic device.
A group of actors speaking in unison, usually by commenting on the action of the play.
Mechanicals
Minor characters
Stock characters
Chorus
2 .
Choose the correct dramatic device.
The audience knows something that one or more of the characters in a play does not know.
Situational irony
Dramatic irony
Hidden play
Theatrical secret
Dramatic irony can be comic, as in A Midsummer Night's Dream, or tragic, as in Romeo and Juliet or Oedipus Rex
3 .
Choose the correct dramatic device.
A technique by which a character deliberately appears to be someone else.
Out-of-character
Disguise
Pseudonymous
Red herring
Shakespeare uses this technique frequently - as when Portia disguises herself as a lawyer in The Merchant of Venice. Often the audience are aware of the disguise while the other characters are not, leading to dramatic irony
4 .
Choose the correct dramatic device.
A clash between people, values, or ideas.
Stage battle
Conflict
Context
Emotion
Conflict, including internal conflict, is one of the key sources of dramatic tension
5 .
Choose the correct dramatic device.
Deliberately misleading or distracting the audience in its expectations.
Red herring
Foreshadowing
Forewarning
Ellipsis
A 'red herring' is a distraction from whatever is significant - when used dramatically, it is a misleading type of foreshadowing. Audiences are led to expect one thing and are surprised when something entirely unexpected happens instead
6 .
Choose the correct dramatic device.
A comment made by a character to the audience in a way that implies no one on stage has heard it.
Aside
Monologue
Dramatic irony
Stage directions
7 .
Choose the correct dramatic device.
A still picture created on stage.
Mime
Tableau
Improvisation
Photographic effect
8 .
Choose the correct dramatic device.
The moment a new character joins a scene.
Departure
Walk-on
Boarding
Entrance
Entrances and exits can be used to dramatic effect, as they are in J.B. Priestley's An Inspector Calls
9 .
Choose the correct dramatic device.
A speech in which a character appears to be thinking aloud rather than speaking to any other character on stage.
Dialogue
Soliloquy
Reflection
Rumination
10 .
Choose the correct dramatic device.
A speech given by one character who is speaking to other characters on stage.
Dialogue
Aside
Lecture
Monologue
It can be easy to confuse 'monologue' and 'soliloquy'. A monologue is a speech delivered to other characters, whereas a soliloquy is a speech delivered to the audience, giving the impression of the audience overhearing a character's thoughts, or 'internal monologue'
Author:  Sheri Smith (PhD English Literature, English Teacher & Quiz Writer)

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